










The Tyde are an American indie rock group. Tracing their roots to early 90’s LA indie band Further, formed by Darren Rademaker and brother Brent, The Tyde cite Felt, The Beach Boys and The Byrds as major influences.
The initial line-up featured Darren Rademaker (vocals, guitars), Darren's ex-wife Anh Do Rademaker (keyboards) and brother Brent Rademaker (bass, vocals) as well as Ben Knight (guitar), Christopher Gunst, Brent's partner in Beachwood Sparks, (drums) and Dave Scher (guitars). Gunst was replaced by Rick Menck of Velvet Crush after debut album Once while Scher became simply an 'additional musician' for second album Twice.
Both 2001s Once and its follow-up, 2003s Twice, showcase the band's love of surfing. The former featuring the song "North Country Times", about time spent in surfers' paradise Encinitas, while the latter features a cartoon of a surfer heading out to the waves as well as the track "New D" featuring the lyrics "ain’t gonna fight 'em anymore, leave those bastard people on the shore, surf a wave on a single-fin board"
Brent Rademaker also played bass in Beachwood Sparks with former Further and Tyde member Christopher Gunst. He now shares his time between The Tyde and his new group Frausdots. Gunst's new group, Mystic Chords Of Memory, also features Ben Knight on guitar.
Three's Co., The Tyde's third album, was released in 2006 (April/UK; July/Japan; August/USA) and features guest appearances from Mickey Madden of Maroon 5 and Conor Deasy of The Thrills. wikipedia.org
last.fmAuthor A. E. Hotchner mentions Pallenberg's influence on the development and presentation of the Rolling Stones from the late 1960s and through the 1970s. She played an unusual role in the male-dominated world of rock music in the late 1960s, acting as much more than just a groupie or partner of a band member. Jagger respected her opinion enough that tracks on Beggars Banquet were remixed when Pallenberg criticised them. In the 2002 compilation release of Forty Licks, Pallenberg is credited as singing background vocals on "Sympathy for the Devil".
The Nite Jewel project is a remarkable combination of revisionist Bronx pop and hazy musical impressionism. Like her ex-pop peers, Ariel Rosenberg and Geneva Jacuzzi, she records solely on portable 8-track cassette deck, often composing her songs by layered tape edits. In Nite Jewel’s case, however, the quality of her chosen medium seems to be neither a means nor an end, but rather a device to lend an ethereal kind of efficacy to the golden age of alternative disco. As influences, she has cited dance floor greats Lisa Lisa & Cult Jam and Debbie Deb, 90’s R&B, as well as Experimental, New Age, and Shoe Gaze. (humanearmusic.com)




bilderquelle: elysee.ch
bildquelle: cdn.pitchfork.comArtist: Kings of Convenience
Album: Declaration of Dependence
Release Date: October 20
Label: Virgin






Edith "Big Edie" Ewing Bouvier Beale and her daughter Edith "Little Edie" Bouvier Beale were the aunt and first cousin of Jacqueline Bouvier Kennedy Onassis. The two women lived together at Grey Gardens for decades with limited funds, resulting in squalor and almost total isolation.
The house was designed by Joseph Greenleaf Thorpe in 1897, and purchased in 1923 by Phelan Beale and Edith Ewing Bouvier Beale. After Phelan left his wife, Edith Ewing Bouvier Beale and her daughter Edith Bouvier Beale lived there for decades more, over 50 years in total for each woman. The house was called Grey Gardens because of the color of the dunes, the cement garden walls, and the sea mist.
In the fall of 1971 and throughout 1972, their living conditions—their house was flea-infested, inhabited by innumerable cats and raccoons, lacked running water, and was full of garbage and decay—were exposed as the result of an article in the National Enquirer and a cover story in New York Magazine after a series of inspections (which the Beales called "raids") by the Suffolk County Health Department. With the Beale women facing eviction and the razing of their home, in the summer of 1972 Jacqueline Onassis and her sister Lee Radziwill provided the necessary funds to stabilize and repair the dilapidated house so that it would meet Village codes.
Albert and David Maysles became interested in their story and received permission to film a documentary about the women, which was released in 1976 to wide critical acclaim. Their cinema vérité technique left the women to tell their own stories. (textquelle: wikipedia.org)







all images taken from: BLESS. Celebrating 10 Years of Themelessness: No.00 – No.29: Celebrating 10 Years of Themelessness: No00, No29 (Paperback)